Ocean Vuong
- Original name:
- Vinh Quoc Vuong
- Born:
- October 14, 1988, Ho Chi Minh City, Vietnam (age 36)
News •
Ocean Vuong (born October 14, 1988, Ho Chi Minh City, Vietnam) is an American writer whose work often explores war, trauma, queerness, and immigrant experience. Vuong’s celebrated books include the poetry collection Night Sky with Exit Wounds (2016) and the novel On Earth We’re Briefly Gorgeous (2019).
Early life and education
When Vuong was two years old, he and his family emigrated from Vietnam to Hartford, Connecticut, U.S., after spending more than a year in a refugee camp in the Philippines. Upon arriving in the United States, no one in his family spoke English. Vuong’s mother, who later provided inspiration for much of his writing, worked in a nail salon and was the family’s primary income earner. She renamed her two-year-old son Ocean Vuong when a customer of hers explained that the ocean connects countries around the world, including the United States and Vietnam. Vuong started learning English in kindergarten and began writing poetry in elementary school.
After graduating from high school, Vuong enrolled at nearby Manchester Community College and then transferred to Pace University in New York City, intending to study international marketing. Within the first semester, however, he dropped out to attend Brooklyn College, where he received a B.A. in 19th-century American literature in 2012. In 2016 he earned an M.F.A. in poetry at New York University (NYU).
Poetry collections
After completing two chapbooks, Vuong published his first sizable collection of poetry, Night Sky with Exit Wounds, in 2016. The book met with critical acclaim and swiftly garnered attention in the literary world, winning the T.S. Eliot Prize, the Whiting Award, the Forward Prize for best first collection, and a number of other honors. Several of the poems in the book depict war and violence; indeed, one striking poem, “Aubade with Burning City,” interweaves Christmas song lyrics with graphic descriptions of the Fall of Saigon in 1975. The collection also tells tales of immigration and queerness.
In April 2022 Vuong published his second poetry collection, Time Is a Mother. In part a reflection on his mother’s death amid the fear and anguish of the COVID-19 pandemic, the book portrays grief and familial loss.
Novels
On Earth We’re Briefly Gorgeous, Vuong’s first novel, highlights themes of familial ancestry and otherness. Published in 2019, it became a New York Times best seller and won the New England Book Award for fiction and the Mark Twain American Voice in Literature Award. In this epistolary novel, the protagonist, Little Dog, as his family refers to him, writes a letter to his mother, who cannot read. The story centers on Little Dog’s coming of age in a family of Vietnamese immigrants within the broader context of Hartford in the 1990s. Written in prose so fluid that it almost dissolves into poetry, the book chronicles Little Dog’s adolescent experiences, from grappling with his family history to stumbling through his first homosexual relationship, all deftly painted against the stark background of the opioid epidemic. According to Vuong, the novel toys with autobiography, drawing details from his life and enhancing them with fiction.
In 2025 Vuong published The Emperor of Gladness, a novel about a troubled Vietnamese American teenager who forms a friendship with an elderly Lithuanian woman who has dementia. The Los Angeles Times called the book “magnificent and melancholy” and praised Vuong’s lyrical writing, “which elevates the most prosaic of details, into hymn.”
Other awards and teaching career
Vuong earned numerous other accolades for his work, including a MacArthur Foundation “genius grant” in 2019 and a Ruth Lilly and Dorothy Sargent Rosenberg fellowship from the Poetry Foundation. In addition, he was chosen by Foreign Policy magazine as one of its 100 Leading Global Thinkers of 2016.
After the publication of Night Sky, Vuong joined the faculty of the M.F.A. program at the University of Massachusetts, Amherst, as an associate professor. In 2022 he became a tenured professor in NYU’s creative writing program.